Redemption And Reconstruction: A Study Of The Modern Landscape Painting Of Paris In The Urban Expansion Era

Since the mid-19th century European countries in the context of the IndustrialRevolution moved into modern society, the speed of economic and socialdevelopment of the birth of the modern metropolis such as Paris. But behind the rapiddevelopment of the city brought about a very rich material achievements, there havebeen a series of rapid population growth, traffic congestion, environmental damageand other urban disease. Thus, in the literature, politics and philosophy launched aseries of discussions on the "modernity" of the problem. The arts, the mid-19thcentury to the early20th century modern art, and to urban life field as the maincontent of the urban landscape painting is an important way of the artist on the"modernity" were discussed. Paper chooses to modern art landscape painting angle asan entry point into the modern art under the background of urbanization wereanalyzed in order to explore how the artist is painting the modern urban experiencefor expression.Firstly, on the background of modern art produced for analysis, and then toBalzac, Baudelaire and Marx, for example, analyze the field of cultural andphilosophical definition of modernity, which proposed the formation of aestheticmodernity. After the art capital of the19th century, the city of Paris, for example,analysis of modernist artists is how to complete the building of a modern marketdomains are in the works. By combing modern art, to Manet, Delaunay and Munch’spainting, for example, to explore how artists complete reflection of modernity by wayof painting, and thus ease the aesthetic of urban life and complete the aestheticreconstruction, and making as a social subject of "human" personality andimagination greatly liberated.Through a discussion of modern art in the Western "modernity" issue, andultimately affirmed the modern dialectical value, for the same change in thedevelopment of modern Chinese contemporary art to provide references.