Exploration And Urban Culture Of Modern Ink Art Criticism

Under the guideness of the modern and post-modern aesthetics theories, the article explores into the Chinese contemporary washing painting of artists in the time advance through the analysis of the Chinese contemporary washing painting works, and elaborates the esthetic interest of the modern city life in the urbanization process. It also criticizes the aspects to the inhuman nature, for example: inhospility. empty, fantastility and so on.The full text altogether divides three chapters. The first chapter mainly elaborates the theory basis of the Chinese contemporary washing painting taking the city as the theme. Through the cognition of modern and postmodern, urbanization and urban culture, the article expands the development of Chinese contemporary urban culture and the intimate linkage between modern and postmodern and the urban culture. The word "modern" exists comparing to ancient time .But "modernity" as a concept of historical by stages is not merely a simple time concept, is a existence way and the thought condition of modern humanity. From the historical development process, we know "modernity" is a social and cultural phenomenon following the "modernization". It is quite different from the traditional society and bring the rapid change of the social life. Follows the modernized advancement, the social structure is splitting up day by day, the value idea and life style of humanity is also changing quietly and the social questions and the cultural phenomenon of the urbanization is prominent day by day . At the same time, modernity also means a kind of thinking mode and the understanding manner, reconsidering and self-reconsidering are the basic characteristic and concept core of the modernity. The Chinese present urban culture develops revolving the development of the western modern and post-modern theory in China. With the development of he modern city and the appearance of the newly city culture, the original traditional culture is unable to satisfy and unable to adapt this kind of new urban civilization. So the western modern and post-modern theory naturally is used for Chinese new cultural request. The second chapater mainly distinguishes the development road of the Chinese contemporary washing painting in the historic angle and combines it into the development of the urban culture. The rapid development of Chines modernization makes the contemoptary art also face the new social cultural environment and the new artistic creation request. The art no longer needs the outstanding person and the hero, but needs strongly to be intimate with the common people and to display the ordinary individual emotion. Under the more open contemporary fine arts background, the Chinese modern washing painting also experiences own development , and takes the bold attempt of the washing painting language. At the same time, many modern washing painting artists who have obtain the certain success of the washing painting language start consciously entering to the exploration of the contemporary culture.Through the e psychological and social factors of the artists and the urban aesthetics of the washing painting works itself, the third chapter embodies the participation modern washing painting into the urban life and observation of the contemporary urban culture according to the analysis of the washing painting works itself. These washing painting works taking modern city as the background point to the person's survival in modern city ,shift the description from the innermost feeling experience to the attention of the reality and the social question, and criticize the aspect of inhospitality, emptiness, fantastict that is alienate to human nation displayed by the modern urban culture.