Study Of Fuzhou Women’s Ci Poems In The Late Qing Dynasty

Heavily influenced by the epoch charateristics which is turbulent and full of changes, Fuzhou Women’s Ci Poems in the late Qing Dynasty present brandnew style and feature than dynasty before. Women’s Ci poems in that period has only got rid of the shallow expression and narrow focus on nature and emotion, but also deepened to take social responsibilities. Fuzhou Female Peoms of that period achieve the exploition and deepening of Poem Scene; some of them even present an unprecedented sense of social mission of the poetess. During the evolution of the time, this essay intends to explore the familial and epochal character of the Fuzhou Female Poetess in the late Qing Dynasty by analysing the following four poetess:Xue Shaohui, Zhang Qingyang, Shen Queying and Li Shenrong and their surviving poetry anthology. A a result of the changing current political situation, Xue Shaohui’s poems present a sense of scholar-bureaucrat; Zhang Qingyang’s poems deepen in terms of scene through observing self-character; Shen Queying’s poems sublimate in terms of scene; Li Shenrong’s poems show a sense of sorrow aroused by the pity on the end of an epoch in a nature tone. This essay collects the poetesses whose poetry scattered in localchronicles, genealogy and poem collections, clarifies the historical development vein of Fujian Female Poetess and its turning point. In a word, this essay offers a new interpretat pathway to a better preservation of local literature and complements the Fujian poem lilterature.