The Cultural Travel—the Study Of The Travel Notes In Europe On 1930s

In 1930s, Foreign exchange has become more and more normal. A large number of Chinese intellectuals traveled to Europe along the footsteps of previous trips, and wrote a considerable number of travel notes. We can name them The Travel Note in Europe borrowed by the name of Zhu Ziqing’s works. When look at Europe, the transition of the Times context and differences of personal endowment, and the personal economic ability, make them more liberal, freedom and personal. They paid more attention to the daily life and arts and humanities, so their narrative enrich the "utopia" of the European imagination, and make it more textured. Due to the expanding scope of travel and the longer time span, the image was added to dangerous, and hidden some means of rejection. All of the images profoundly reflect the new intellectual experience of modernity and their inner demands. Some intellectuals taken care of Europe with vision of "beauty", so they recognized the charm of European art and humanities when they were along the European history of arts and humanities. The modern travelled style bring new awareness of "beauty", as well as the appreciation of the urban cultural landscape. All of those greatly increases the travel notes’literariness. Travel notes back to the expression of personal "emotion" and "consciousness", the features of knowledge and interest bring the travel notes with characteristics of cultural prose. Finally the differences between personal experience, identity and interest, create all kinds of travel notes’ style.