On The Embodiment Of Romanticism In The 《Wieniawski Violin Concerto 》

Wieniawski as the nineteenth century, the famous violinist and composer, known in the history of Poland and the world’s artistic development a shining star. Based on the "Wieniawski Violin Concerto" analysis in rhythm, melody, harmony, tonality, etc., trying to influence of Romanticism on the violin and the impact on the development of the Romantic period of music styles.The introduction of this article outlines the general direction of research, research methods, and the Institute for the problem to be solved. The first chapter starting from the definition of romanticism, extending to the romantic music, and go into the details of the development of the violin in the Romantic period experienced what changes, and finally by Wieniawski learn to analyze his life and music of the Romantic period The close contact. The second chapter Wieniawski Violin Concerto at the core, from romanticism elaborate melody, rhythm, harmony, creative skills and playing techniques and other aspects of how embodied in the song. The third chapter of subjective and objective aspects of the Wieniawski Violin Concerto in romanticism causes were analyzed. On objective reasons, the era of the social background of Paganini and Wieniawski produce areas of influence and his musical career and family environment have on the impact of his conduct analysis; on subjective reasons, the Cliffs of Slovenia personal growth and emotional road base to analyze these two aspects.Wieniawski was a virtuoso were masters of Romantic music period, reflected both in the works or in emotional expression are reflected in the performance of Romantic style features, he made not for the development of the art of violin indelible contribution. Research on this topic can help us to understand more deeply romantic music, but also through the life experiences of Wieniawski inquiry to give him a comprehensive evaluation.