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Theory Of Symphonic Shaanxi Opera Music And Application Of Flute And Bamboo Flute

Posted on:2016-08-10Degree:MasterType:Thesis
Country:ChinaCandidate:J Y ChenFull Text:PDF
GTID:2285330479994990Subject:Music and Dance
Abstract/Summary:PDF Full Text Request
The Western musical instrument is familiar with the opera, the beginning of its application in the sixty or seventy years since Jiang Qing fostered by "eight model operas", which leads to national wide influence causing the whole country to emulate. Therefore, Western orchestral musical instrument consisting of a mixture of traditional Chinese and Western band model is largely spreading all over the counrty. Qinqiang opera band is influenced by the eight model operas, which started the practice of Shaanxi opera symphony from 1968 to 1976 in the rehearsal of "red lantern", "tiger" and other modern drama to create hybrid band. The introduction of opera music symphony accompaniment practice is more and more popular in application of modern drama and traditional opera adaptation. Since then, the creation of the "Crouching Tiger", "tiger", "Hai Rui" and "Ba Liu Qingsi Shaanxi modern drama and traditional opera drama is more recognized widely by the public.For the composition, Qinqiang opera in accompaniment only use some frequently common string tune and music Qupai, which makes the overall monotonous. After founding the state, the repertoire and arranger works not only create new songs instead of string music, travel, fall in Bantou interludes, scene, music and so on, but also in terms of the story create the new one. The opening song, Intermezzo, prelude, ending song, Overture, a set of different curve corresponds to a different play, and each music repertoire has its own unique, which always in application freely.However, There are both advantages and disadvantages in this change.it breaks through the traditional opera music playing mode step by step, to create new forms of performances. But,at the same time, Chinese regional folk music have a strong local ethnic characteristics of the Western musical instruments, in China in drama music into consideration which had a strong national local color. Faced with such a problem, how to join the Western musical instruments into the traditional Chinese Qinqiang opera music.full consideration should be given to the Western musical instrument timbre and national music.to improve each other; how to combine the flute and Qinqiang opera music better; and how it was played between the complementary mixing flute and Orchestra of national musical instruments; how to improve the performance of Shaanxi opera music at the same time, the orchestra, orchestration should be to make the change, which is the focus of this paper. Innovation and change this to Shaanxi opera music gradually produced profound influence.Shaanxi opera as "intangible cultural heritage" to get more attention, with our country western band continues to improve and the domestic hybrid orchestration with composition techniques to enrich and improve and the symphonic music form to improve, see iQinqiang opera music as God, so that the China and western music have more integration, and make the expression more abundant.
Keywords/Search Tags:Qin opera, The fusion of Chinese and western, Bamboo flute, flute
PDF Full Text Request
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