Research On The Fusion Of Multiple Timbres Of Bamboo Flute Ensemble

Bamboo flute emerged from the form of accompaniment for opera and became a solo instrument standing on the stage in the middle of the 20 th century.The rapid development of modern flute music has reached a certain height from the creation and adaptation of traditional music elements to the diversification of modern works of bamboo flute ensemble.Further breakthrough and scientific innovation become the urgent task of flute musicians.The establishment of Chinese bamboo flute orchestra opened a new situation of flute music in 2012.It fills in the blank of bamboo flute multiple-part ensemble and provides a comprehensive academic,creative and practical platform for bamboo flute different from the single configuration of bamboo flute duet,trio and general national-instrumental tutti and ensemble.Instrumental music tends to be diversified and the exploration of new timbre is one of its exploration directions throughout the development of western music.Modern and contemporary music is no longer satisfied with the auditory effect brought by traditional timbre since the 20 th century,and the exploration of composite new timbre has become a new topic and trend.Chinese Bamboo Flute Orchestra is trying different forms and sound combinations in the process of leading the development of Bamboo Flute Ensemble.Wilderness was created by Mr.Zhang Weiliang at the beginning of 2014,and it is a successful breakthrough for the Chinese bamboo flute orchestra to explore the possibility of integrating the performance of bamboo flute instruments with all kinds of instruments.The paper takes Wilderness as the research text and the fusion of tone as the starting point.Then it mainly discusses how to realize the multiple timbre fusion of bamboo flute ensemble,its rationality,importance and the discussion of the development space through the concrete analysis of the poems,the combination of intuitive hearing and the performance of works.The definition of multiple timbre fusion discussed in this paper isn't the concept of "new timbre",that is,new instruments or a series of unconventional performance techniques of traditional instruments to seek new sound effects and more tension forms of expression,such as string instruments,piano and some others.The timbre in Wilderness is based on the conventional performance technique of traditional musical instruments,characteristics of the timbre are used given by the eastern and western musical instruments' own attributes and "integration" are more emphasized.The sound effect of the music color with rich layers and senses,and author's description of the word "Wilderness" through the analysis of each musical instrument,each group of structure and each layer of paragraph around the integration of timbre.The concrete writing ideas of the paper are as follows: In the first chapter,the development of bamboo flute ensemble is combed,and the breakthrough and innovation reflected in "Wilderness" is reflected.In the second chapter,a concrete analysis of the poems of Wilderness is made,then the analysis and interpretation of fusion of timbre are carried out through the use of matching device,the arrangement of harmony mode and the conception of texture.In the third chapter,the main difficulties of technology and training methods in performance,as well as the farsightedness of the works are further discussed to reflect the value and influence.