Spying On The Development Of China’s National Opera From The Opera "Mulan Poem"

Opera, as a comprehensive art form, since the 16th century, the early 17th century in the west will be recognized as the one is the first western opera "daphne", the origin of European art form, has been for hundreds of years of history, but in our China, initial begin to contact from last century opera. Since the birth of opera art in China, it has walked a way different from the western opera, through the tireless efforts of several generations of musicians, although has experienced a lot of twists and turns, but also produced many excellent folk opera, and continue in inheriting and continuously in the experience and lessons towards the direction of development.Its premiere in 2004, the Chinese local "mulan poem" original folk opera, Lincoln Center, was invited to the United States in 2005 and won an unprecedented response, again in 2008 in Vienna golden hall successful release, profoundly proves that it is a popular folk opera, both at home and abroad at the same time during the course of western opera in one hundred the birth of numerous exceptional, also let us many learners to see the opera has been under intense pressure, slow development of China’s national opera, is bound to usher in a bright spring.The author because of the love of folk opera, in this paper, the main introduced in four aspects:briefly describes the developing course of Chinese opera, the analysis of the opera "mulan poem" artistic characteristics and achievements, probing into the cause of the development of Chinese national opera hysteresis, puts forward the future development of the national opera, hope that through these views, with small peep is big, with the help of "mulan poem" the success of the play, the author analyzes the reasons of China’s national opera behind western opera, and under the advantage of western opera, explore a development path suited to China’s national opera, make more people to create more excellent national opera to the career.