Study On Inner Auditory Training In Accordion Performance

Inner auditory training is an essential part in music teaching. It is a interdiscipline subject that involves music and psychology. Inner auditory is a kind of psychological phenomenon. It contains four factors---cognition, memory, recollection and imagination. It is not only the reappearance and memory of music in people’s brain but also a representation of music creation in a deeper meaning. Through the expression of music’s actual physical acoustics in brain, inner auditory make people producing a feeling called “auditory hunch”which means one can hear the tone and sound effects created by him/herself ahead of time. And inner auditory is a musical aural ability formed by accumulation of abundant musical activities and materials. It needs repeated training and practice. What’s more, it plays an indispensable role in music activities. In this essay, I will discuss the importance of possessedwith inner auditory to the accordion performer, the ways to realize inner auditory of accordion performer as well as the significance of inner auditory to the accordion performer through the aspect of the articulation principle, tone characteristics, keys touching, the use of bellows, register applicationand left hand bass. After the above discussion, this paper aims at exploring how to cultivate inner auditory to good performers in the accordion playing from the perspectives of scientific theorr as well as enrich the art performance forms of accordion through making use of inner auditory.The thesis is divided into several sections: the preface analyses reasons for selecting the topic and research status. In addition, it clarifies research significance, outline and methods. Chapter one of this paper describes inner auditory through two parts. The firs part is the concept of inner auditory and the second part is producing mechanism What’s more, it briefly introduces the producing mechanism of inner auditory in physiology and piratical musicactivity. The second chapter analyses the importance of inner auditory.In this part, inner auditory will be discussed through intrinsic rhythm, inner sense of melody and inner phonoreception. And from the significance of this three forms in music performance, this research will analyses the importance of the three forms in accordion performance. Besides, the influences brought by the three forms to the performers’ musical memory ability and musical perception in accordion performance. The third chapter is an essential part of the whole paper which explores thetraining strategy in accordion performance. Based on the discussion of inner auditory in chapter one and chapter two, this chapter analyses training strategy in accordion performance in details, including development of inner auditory in physiology, psychology, as well as specific ways of keys touching, the use of bellows, register application and left hand bass in accordion playing. And this chapter also do research on the the application of inner auditory in performance and the specific representations of how this psychological phenomenon influence the manifestation of timbre and sound quality.The fourth chapter is an expansion of thewhole text, stating the influence which fine ability of inner auditory maintains. And this chapter shows the performers equipped with good inner auditory ability can bring good influence towards accordion playing and accordion teaching. The last is a summary of the whole paper.The full text analyses the accordion playing from origin, performance and application effect of inner auditory and also make the theory foundation of accordion playing and accordion teaching more rich and scientific in the future.