The Dual Variation Of The Character And The Image

As a celebrated contemporary writer, Zhenyun Liu’s achievements are outstanding, and receive broad praise and commendation. His literature works combine the fantastic reality with the illusory truth, winning so much favorable comments from numerous readers. His three famous works are the good illustrations in demonstrating his unique style: “Ground Covered with Chicken Feathers”, “Hometown Trilogy”, and “A Mouthful of Nonsense”. As the continuous merge of contemporary writers, works and the public film and television culture, Zhenyun Liu becomes the hotspot once again in literary field because of the success of film adaption from “Ground Covered with Chicken Feathers”, “I am Liu Yuejin”, “Back to 1942”, etc. Thus, the text analysis and context study of Zhenyun Liu’s film adaption will not only provide the effective breakthrough point for the research on the evolution between contemporary literature and film and television culture, but also help further explore on creation and characters of intertextuality under the dual variation of Zhenyun Liu ’s literature and film works.By analyzing the age context of Zhenyun Liu’s film adaption, we aim to observe the relation between adaption and social trend of thought in culture. From the dramatic description of urban petty bourgeois’ life, the profound interpretation of the psychopathic personality, to the detailed presentation of the modern absurd officialdom, Zhenyun Liu’s film adaptions pay particular emphasis on the common people’s actual living state, and present his consistent position – irony and inspection. Regarding the transform from literary language to audio visual language, we discuss Zhenyun Liu’s concepts and achievements in different art fields from the aspects of thought implication, character figure, narrative language, psychology description, space-time factor, etc. From the angle of audiences, we discuss the cultural significance and interaction between the two roles change during the culture battle, which are the changes from author to screen writer, and from reader to audiences. By summarizing the achievement of Zhenyun Liu’s film adaption, we indicate the positive significance of the combination of the contemporary writers and film and television art.