Study On Line Art In The Painting Of Wu Daozi

Meticulous painting developed to the Tang Dynasty, techniques and drawn over the previous generation have a greater development, line drawing and design techniques of the period on the basis of color followed predecessors also have a breakthrough. It was thanks to the supreme ruler of great importance to the development of arts and culture, but also appeared in a large number of outstanding artists, for politics, or that for their own expressive. Daozi is representative of this period, he was given the word Dogen court, in civil title of "Huasheng"; he is the founder of ink painting, but also a Taoist Figures peak; he "painted plastic and workers’ statue has both good line drawing, created the "Brasenia bar" and a line drawing style category.So the research of traditional Chinese painting, can not involve Daozi, full statement will be in four parts:The first part, first introduced Daozi’s life and artistic accomplishment, this leads to a large living and painting environment Daozi behind. For article topics is its own art features, and to pave the way later expanded discussion.The second part, to show the means of painting as a starting point to explain the line, shape, color relationship between the three, as an example of the value and specificity of Daozi painting.Third part, the article on the one hand from the pen’s analysis Daozi different styles of painting in the "line" of change, on the other hand to compare different artists and to analyze the particularity Daozi with lines from. Selected four painters, is divided into the Daozi contemporaries and Zhou Fang,Yan Liben representatives, and two representatives of the artists Daozi at different times of the Gu and Li Gonglin.Section IV, summarizes the characteristics elaborated Daozi brushwork painting, but two aspects to the impact on future generations of painting, one is on the lateral impact on the development of different kinds of painting produced, and the other is a portrait of the "line" of this painting significance of the development of means of expression generated.