A Study On Zhuang "Molun" Music And Its Inheritance

Specific national art is the product of a particular cultural soil, different history, geography, ethnic, religious, language form, produce different folk music form.The Molun of Zhuang nationality is produced in southwestern guangxi cultural soil of a place, the living condition culture is mainly dispersed in Guangxi province,such as jingxi county,most of the villages and towns of debao county and the adjacent county border region of tiandeng county, including Ceremony Molun and Folk Art Molun two forms. The Ceremony Molun was popular in southwest of guangxi province,in zhuang "haet moed"ceremony culture as the carrier, especially the ritual activities of witch build sounds.The Folk Arts Molun as the guangxi zhuang folk quyi, was one of the most representative,Development up to now,there has been debao north road Molun, debao south road Molun, jingxishangjia Molun, jingxixiajia Molun four kinds of forms, and debao north road Molun and dexixiajia Molun for spreading and influence at the end of the range is wide, and the most representative.Folk Art Molun is the most of current scholars say Aaron, and the Ceremony Molun is the root and origin of Folk Arts Molun.In this paper, about the two forms of the zhuang Molun, respectively, between them,both independently and correlation.Music is a unique way of understanding and mastering the world various nationalities, to a certain extent, reflects the social life.Molun is one of the zhuang music culture, and is free from the mainstream culture of the ethnic minority music culture, can be seen as "on the edge of the vigor, has the nature of meaning for Chinese culture pattern and vitality".This paper is based on the ceremony Molun of the activity records, music morphology analysis and Molun education passing on three main factors as the breakthrough point, The paper contains three parts:prodrome, analysion and conclusion.In prodromes briefly illustrates the reason of topic selection, research question, introduces the paper’s research methods and research ideas, combing the research achievements of predecessors.In the body of the first chapter, first of all, present the cultural ecology of Molun, and by geographical environment, the humanities environment introduce preliminary findings and the investigation object of relying on the platform;Second, by the literature with the field investigation, explore the origin of the zhuang "Molun", the history of Molun will be provided with an intuitive understanding to people.The second chapter, first of all, detailed account zhuang "disaster" at the ceremony Molun music activities case; Secondly,analyze the whole ceremony process, ceremony sounds; Finally, interpret the ceremony Molun of where cognitive foundation, beliefs, and illustrates the structure function.The third chapter, first of all, to the zhuang folk art Molun of the social inheritance present situation investigation; Secondly, prsent morphology analysis to the folk arts Molun, and prsent ceremony Molun and folk arts Molun to do the comparative study in the form of music; Finally, inductive the social value of the function folk arts Molun.The fourth chapter, mainly focus on the inheritance of Molun in present. First of all, questionnaire survey about folk arts Molun was conducted in the present situation of the school tradition, and be sure of the tpecial status and advantage of school education in inherit folk arts Molun; The second, leading to the zhuang’s Molun new way of thinking about the future inheritance, such as singer, live transmission, cultural consciousness, trying to provide a new perspective for ethnic minority music culture lineage.For all ethnic, music is never the way of metaphysics, ethnomusicology’s mission is to find out the contact between behavior and cultural background of music, It’s what kind of value do the music behavior has to the culture belonging to the environment, In a certain music environment in order to set up correct, comprehensive and diverse music cognitive view. Therefore, in this paper, the biggest advantage and highlights is not only the study of zhuang’s Molun join in the form of music analysis, but also the music phenomenon is regarded as an organic part of culture system to recognize and understand, to pay attention to music phenomenon associated with the system of social culture.In the article, trace the culture origin of Molun, the ritual process will be deep traced and analysed, focusing on the phenomenon of music, at the same time,record the music culture of the natural environment, material life, social and spiritual life, reveal symbiotic relationship between sounds phenomenon and its special historical background, social,cultural space.