Research On The Creation And Activity Of Chinese Painting Art Of Guilin During Anti-Japanese War

The full text is divided into four chapters. The first chapter expounds the historical background that many chinese painters gathered in Guilin during Anti-Japanese. Mainly including the development of chinese painting of Guilin before Anti-Japanese War, many traditional chinese painters gathered in Guilin during the Anti-Japanese War and their art activities.Through these historical carding and research, summing up the history and culture, traditional chinese painting and the reason that many of the chinese painters gathered in Guilin and the active state before Anti-Japanese War.The second chapter mainly analysises the chinese painting of the chinese painters that come to Guilin from other places.Mainly includes depicting the Anti-Japanese propaganda work (including figure painting that drawn from real life and heroes in history and outstanding patriot contemporary), landscape painting depicting the Guilin landscape, flower and bird painting three categories.Focus on the figure paintings of Zhang Anzhi and Yin Shoushi, the landscape paintings of Xu Beihong and Zhang Daqian, flower and bird paintings of Xu Beihong’s and a small amount of other artists work for carding and research. Acorrding to the above to analysises the characteristics of the chinese painting of chinese painters that come to Guilin from other placeses.The third chapter mainly analysises the chinese painting of Guangxi local artists during Anti-Japanese War. Mainly includes the landscape paintings of Ma Wanli, Yang Taiyang, Zhu Peijun,the flower and bird paintings of Ma Wanli,Shuai Chujian and Deng Junqun. Through carding and research on these works to analysis the characteristics of the chinese paintings of Guangxi local painters. In addition, analysises the part of the chinese paintings during Anti-Japanese War period of Guilin from the perspective of aesthetics of Chinese painting, also on the one hand, highlights the Chinese painters in the new period praise Chinese traditional aesthetics.The fourth chapter analysises the overall characteristics and significance of the Chinese paintings during the Anti-Japanese War and expounds its influence on later generations.Mainly includes overall characteristics,the significance of the Chinese paintings of Guilin, and the development and evolution of chinese paintings of Guilin after Anti-Japanese War. Modernity characteristic presents the Chinese paintings with regional, national and era characteristics. After the Anti-Japanese War the development and evolution of the Chinese paintings of Guiklin in each of the different period is embodied flourishing and hot state.