Study The Styles Hybridity Of New Century Full-length Novels

Since the new century, the prosperity of the full-length novels has become an indisputable fact, both in subject matter or form of artistic expression, new century full-length Novels have been some refreshing changes. In terms of subject matter, the largest number and the highest achievement of new century full-length novel were these two categories of to write the history of the genre and the rural life. And in terms of stylistic innovation, the new century full length novel also presents some new characteristics. It has begun from the 1990s already, but the novel’s stylistic innovations expand in the new century, and achieved fruitful results. Since the new century, almost every influential novel, with its unique style will attract our attention in the form of "sandalwood punishment", "live by", "Life and Death Are Wearing Me Out", "Pond", "Shaanxi" "My Ding a Journey," "Pu above", "Women Chatting", "frog", etc., did not dare to give us one after another zone shock and surprise. In the new century novel creations continue to integrate into a variety of non-fiction style, hybridity various elements of literary non-fiction, break through the traditional novel form of norms and break the boundaries between the style are the most prominent phenomenon since the creation of the new century. This article focuses on styles hybridity perspective of the style features of the new century novel, trying through the analysis of the literature phenomenon to examine the new century novel style innovation.This paper is divided into three parts, introduction, body and conclusion. Introductory part is the "Style", "novel" concept connotation and definition. There are four chapters in body part. Chapters I and II discuss the new century novel stylistic hybridity performance, chapter I focuses on discussing the genre hybridity of new century full-length novel, which will be divided into the style congregation hybridity and Style interpenetration hybridity. Style congregation hybridity can be divided into five points, such as the folk opera, songs hybridity, the drama hybridity, the letter hybridity, poetry hybridity, and the practical styles hybridity. Style interpenetration hybridity include three points, philosophizing type novels, chronicles Novels and oral-record novels. The chapter II focuses on the new century novel genre hybridity which can be divided into two parts. One is hybridity or penetration between literary genre, and the other is literary and non-literary hybridity. Chapter III focuses on exploring the reasons for this Phenomenon. There are three reasons such as writer self-conscious, styles hybridity of tradition, aesthetic modernity rise. The fourth chapter is a summary of the above discussion is divided into two sections. The first section discusses the feature of the new century novel styles hybridity which is different from the previous. The second section gives an evaluation of the new century novel styles hybridity. The conclusion of this paper is mainly focused on elaborate writing purposes.