The Analysis Of Artistic Characteristics In The Chinese Opera Folk Song Of The Canal

The Chinese Opera Folk song of The Canal, rehearsed by National Center of China, is analyzed in three aspects: nationality, musicality and theatricality and the tragic. This research mainly focuses on the operas with internal ensemble, chorus and solo based on the foundation of composition, music analysis, music history, ethnomusicology, music aesthetics and music performance. This study generally explores the art feature of this opera by the revealment of the national culture, the development of music and drama, the creation of image and the aesthetic of the female theme.This article consists of six sections. The introduction mainly contains of this study field, present situation and research significance, the history, culture background and the story of the Folk song of The Canal. In first section, the culture and history of the Folk song of The Canal is analyzed with cultural image, music of main characters and national symphony orchestra. The second to forth section introduce the development of drama and musicality. The second section, concentrating on the overall creation technique, mainly analyzes the music and drama expression from the theme of love and canal, and explores the creation of melos in the development of music and drama performance. The third section and fourth section mainly introduce the artistic features of opera music and drama with the arguments of ensemble and chorus. The third section analyses the opera ensemble, and reflects in the lyrical duet and dramatic duet described in music emotion expression and dramatic tension. The fourth section pays attention to the opera chorus, stating the features of the chorus of dramatic expansion and the development of music from symphonic drama function and the use of model characteristics of harmony respectively. The fifth section analyzes the tragic aesthetic characteristics of the female, and contrasts the vertically developing venation of national opera female theme and the Chinese and Western female tragic theme, which also comprehensively explores the female theme, tragic image and art characteristics of solo of heroine. The sixth section whose theoretical guidance is the overall features of the previous three chapters summarizes the art feature of opera and the significance of stage practice from national culture, music noumenon and image aesthetic respectively.