| Wang Fuzhi is not only the professor of Chinese Classical Philosophy, but also the professor of Chinese classical aesthetics. Lately, the research of Wang Fuzhi’s classical aesthetics mainly focus on his poetics category. Gu Shi Ping Xuan is one of his poetics monographs, but the research on Gu Shi Ping Xuan is relatively weak. Wang Fuzhi’s standpoint on the art of poetry must be from the specific poetry comment. Therefore it has great significance on studies of Wang Fuzhi’s poetic thought through the study of Gu Shi Ping Xuan.The paper is divided into three parts:The first part explains Wang Fuzhi’s philosophical thought influences on his poetics thought. Chapter 1 mainly focuses on the view of the theory that man is an integral part of nature in Gu Shi Ping Xuan. The theory which man is an integral part of nature indicates that the universe and the human beings have no difference. This will serve as certification, Wang Fuzhi’s poetics commentaries emphasize that the poet must be a man of noble character with mild nature and a sage with supreme affinity, besides the reader in beauty and goodness and truth can communicate with the poet.The second part focuses on the poetics commentary of Gu Shi Ping Xuan, which produces his elegance poetic thought. Wang Fuzhi insists that emotion is the main body of the poetic composition. However, emotional literacy can’t feel free ti express whatever it wants, it must have restriction. Wang Fuzhi’s criticism thought is analyzed by means of evaluation made on other poetries. And it can be concluded as emotion orientation and harmony orientation.The third part focuses on the poetics commentary of Gu Shi Ping Xuan, which produces the terminology of Xian Liang. Wang Fuzhi commends that Xian Liang is a method of aesthetic mode. As for the theory of literature and art, including the production and consumption,Xian Liang is very meaningful to attach importance to not have any utilitarian idea but “returning to the nature and being oneself”. |
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