Self And Redemption— The Standy On Albrecht Durer’s Frontal Self Portraits

In the history of Western painting, positive painting has been the most noticeable painting in the portrait painting, which draws people’s attention. With proficient skills and perpetual media, artists draw visual self on the board for people to watch, and the paintings could be preserved as culture heritage permanently. From some aspects, the drawings are like human. Masters portraits are like a door which could open to any time and space, audience could shuttle between two spaces. This dimension door helps us to reveal the inner feelings of themselves, and as well as gives us many possibilities to understand their persistence and explore on their painting path.Dürers Selbstbildnisse(1471-1528), grow in the traditional culture of the northern medieval conservative imprison, but he was greatly influenced by "humanism ideological trend" from south Alps, so he became a pioneer of Deutsche humanism. He was a gate of south and north art path as well as a bridge connecting the middle ages and modern art. His self-portraits play an important part both in German and Western history. With a high sense of self-awareness, he paint his own self-portraits during different times, the lucid painting skills makes himself painted on the gallery like a sear on a wood. Scrupulously combines his own feelings into the painting, he used an angel of the narrator. This his own feelings toward human feelings and realities in objective world, and also his own self-awareness and self-pursuit. Dürers’ self-portrait at 1500 draws people’s attention greatly, people all praising it as a self-portrait with “divinity”. With ingenious the star of David composition, positive characters present, gesture’s pointing direction, and special comments, it was regarded as an arrogant portrait and caused disputes. The superb drawing skills, and perfect person interpret makes it a mountain that no one can ever exceed.This paper regard Dürers’ self-portrait with “divinity”as the main research subject, with the research method of by tapping the surface, from shallow to deep to explain its character and its special background, and author’s national character to discuss its attainments and its influence on the later ages.