Research On China Primitive Decoration Art And Its Aesthetic Tendency

From the perspective of history occurred in aesthetic practice, the art activities of primitive people and contemporary civilized person linked together in aesthetic experience. The historical significance of this linkage focused on original art practice in a way of materialize, which contains decorative means of empirical form. Current research in art history is to understand the original image as so-called "primitive art", this kind of understanding mainly based on its aesthetic dimension that it has a decorative feature. The so-called decorative forms, both different from the numerous dynamic phenomenon, which have inherent meaning of general experience, as well as a symbol of its reproducibility. In an other aspect it different from the abstract form, logical text symbols. One can practice with the people’s aesthetic sensibility directly links and direct implication aesthetic trends in the first step out of human nature,which is towards to freedom, towards to aesthetic trends. In the current study the history of art, most of the specialist of Arts and Civilization during the original period is divided into two independent parts to understand, it rarely comprehend both in the form of a common sensibility for external signs to explore and to seek its intrinsic aesthetic experience contact. This paper argues that it is precisely this intrinsic aesthetic experience that makes the original art can contact the aesthetic object identity primitive relic form, direct access to enter the aesthetic practice civilizations, so that the human experience of different periods of practice constitute a unified, complete experience the history and practice of aesthetic experience the history of practice of aesthetic Pedogenetics. Above all, the purpose of this paper is to unify the aesthetic practice to explore the history of human experience, to find the sort of basic science track its history occurred. It has important implications for the study of contemporary aesthetics basic theory of history turned.In summary, this paper takes the form of Chinese decorative art for the original study, designed to sort out, to explore and explain Chinese original art aesthetic trends inherent form.According to information form people to understand the current art history and classification of primitive art provided,the paper divided the Chinese decorative original art into three parts, the realistic form, the abstract form and the imagination form. In this view, the specific aesthetic forms of Chinese original Art trend is through realistic shape, abstract shapes and imagination shaped the history of the evolution and development of styles presented, and import it aesthetic experience civilized practice period. Among them, some of the basic elements of aesthetic experience in the form of the practice of civilizations:such as points, lines, polygons, symmetry, repetitive, overlapping. And so on, they are original works of art in the period has been the initiation, development, maturity, improve, and appear for this article talking about "realistic shape," history "abstract form", and "Imagine shape" and "decorative form" style evolution sequence. That is to say, the original Art aesthetic trends China lies precisely in the form of inherent tendency aesthetic practice the art of civilizations-the former is the latter form of historical genesis, the latter is the aesthetic form of art in the area of civilization. Thus, the process from the original art to practice the arts of civilization period is actually belongs to human beings experience practice uniform, and eventually turned to be a complete aesthetic experience.