A Comparative Study Of "shanghai" The Art Style Of The Artist

From ancient to modern times there are too many to count the "School of painting in China in art development",They are in China painting development have their own effects.Appeared in the modern Chinese painting history in the "Shanghai school" to bring about a change in the time of the art development, especially the "some of he most representative painters of Shanghai" is a force to the most influential in the history of modernChinese art.They are in China painting development have their own effects. "Shanghai" formed in the middle of the nineteenth Century, the then Shanghai by foreign culture, various styles, a variety of factors influence each other in schools such as penetration, makes a sharp contrast with the then "Royal School of painting".However, "the Shanghai school" painter is numerous, widely distributed, lineup of large, prompting the maritime painting showing a rich and colorful, All flowers bloom together. scene.Since then Shanghai has a formal exchange of Chinese and Western culture, the cultural context makes China fusion ofculture and art has a more broad space for development. In this environment also influenced some painter.Such as Ren Bonian, Zhao Zhiqian, Wu Changshuo and so on, they absorb the good aspects of western culture and combined it with traditional Chinese painting phase, innovation and change the bold, formed its own unique style in the "hundred flowers" "Shanghai" in their own "unique".In this paper, through the analysis of "the Shanghai school" representative painter’s artistic style, to guide their future in the flower and bird painting creation style in the form.This thesis is divided into four chapters: the first chapter of "the formation and development of Shanghai"; the second chapter from the "Shanghai school" style of the times to study "the Shanghai school" painter’s artistic style is different;the third chapter: to Ren Bonian, Zhao Zhiqian, Wu Changshuo as an example of "Shanghai" is not the same type of the artist’s painting style; fourth chapter: analysis of the development of modern "Shanghai" artists and contemporary flower and bird painting of "the Shanghai school" painter’s style of absorbing and reference.Through such analysis, a further understanding of the artistic features of "the unique seaside" painter, makes to inspire the future of art.