On The Influence Of Xinjiang Regional Cultural Landscape Paintings Of Contemporary Local

The history of Chinese painting and Western painting process Chinese native culture.Landscape painting as an aspect of the subject matter of the painting, not only depict natural scenery, but also the spiritual and cultural dimensions of the carrier. Xinjiang’s unique landscape features and geographical environment, making Xinjiang landscape painting exhibit very different characteristics and the Mainland. Xinjiang is located in the northwest border of the motherland, vast territory and abundant resources. The formation of the special geological features unique natural landscape, the desert Populus perseverance, snow-capped mountains of the Gobi bold, beautiful prairie river, constitutes a unique picturesque scenery. Four cultural system at the confluence of Xinjiang, Xinjiang left to nutrient-rich soil of Fine Arts. Artists of all nationalities living here, influenced by special humanistic background and national culture, give full play to local resources, to create works of art with distinct geographical and cultural characteristics.Regional culture is an important factor affecting the creation of art. Geographical and cultural landscape painting is a significant feature of Chinese painting in the nationalization process, but also an inevitable blend of Eastern and Western cultures results in the field of painting. Geographical and cultural landscape painting is a significant feature of Chinese painting in the nationalization process, but also an inevitable blend of Eastern and Western cultures results in the field of painting. An important factor in whether in China or other countries, geographical and cultural impact of the artist’s unique painting style and personalized language performance. In this paper, Xinjiang’s unique geographical and cultural characteristics of the research object, starting from the influence of regional cultural landscape oil paintings of subjects and styles, making research and analysis reflected in its landscape oil painting in Xinjiang. In order to be able to more fully landscape oil paintings, more accurate and more comprehensive painter emotional sustenance, to express the artist’s mind, bearing the artist’s concept could provide some theoretical reference. Thus promoting landscape oil paintings enriched and developed from the regional culture of this area, and thus better promote the Chinese excellent local culture, the Chinese oil painting art in the world’s forests present a unique regional outlook.