Aesthetic Connotation Of Chinese Freehand Flower And Bird Painting From The Perspective Of Aesthetics

China’s traditional cultural heritage is profound, with profound aesthetic connotation. As an important part of Chinese traditional culture, freehand brushwork is rich in aesthetic features in its unique artistic creation. Freehand brushwork of flowers and birds as a kind of Chinese painting freehand brushwork, pay attention to the traditional painting aesthetic implication of prominent, with the art of flowers, birds, fish and insects to reflect the harbor and creator of the affection, with profound aesthetic cognitive and aesthetic consciousness. Freehand flower and bird painting on the use of the requirements is not harsh, and care through the creation of the material reflects the profound aesthetic taste, pay attention to the expression and writing of the mind. For modern painting and freehand brushwork of flowers and birds painting as a traditional form of painting, not only the traditional painting skills were to inherit and carry forward, in the art aesthetic also can be traced to the same origin, reflecting China has a long history of traditional aesthetic connotation. Specific to this topic, the author pays more attention to the enjoyable flower and bird paintings rich aesthetic elements, from its subject matter, composition, colors, text, and so on all aspects of the connotation of the aesthetic elements of a full range of analysis, in terms of art reviews the research of Chinese freehand brushwork of flower and bird trial connotation beauty a new review. This article analyzes the aesthetic characteristics of the freehand flower and bird painting through the seven part:The introduction part is the background and the significance, literature review, research methods, innovation points and key points of the research on the aesthetic of freehand flower and bird painting. The first chapter is about the formation and development of the freehand flower and bird painting. Mainly include: the formation of the flower and bird painting, start, mature, brilliant, creative and integrated into these five periods. The second chapter is the study of the aesthetic constitution of the freehand flower and bird painting. Mainly include: the theme of freehand flower and bird painting, freehand brushwork painting of flowers and birds painting, the color of the three aspects of the composition of the elements. The third chapter is the analysis of the aesthetic artistic conception of the freehand bird painting. Mainly include: painting artistic conception in the artistic conception, color, composition of artistic conception in the three aspects. The fourth chapter is the analysis of the connotation of the aesthetic taste of the flower and bird painting. Mainly include: Romanticism, realism, freehand ideal of these three levels. The fifth chapter is about the development of the aesthetic of freehand flower and bird painting. Mainly include: the inheritance of the traditional aesthetic and modern aesthetic innovation in two points.