Analysis On The Intangible Cultural Heritage Protective Effect By Producing About Uighur Musical In Tarim Region

The skill of making Uyghur musical instrument is an important part of Qiuci culture, that isthe wisdom crystallization from hard-working Uyghur ancestors, and it is rare Intangible Culture Heritage(hereinafter referred to as "non-left") resource in our country. Now some government in tarim region with the platform of markting-operations and use the opportunity that developing the special cultural tourism to help the heritage who have the skill of making Uyghur musical to improve their living standards and the social status, thereby to help the non-left to get a greater living space. However, this model whether conform to the requirement that be needed by the skill of making Uyghur musical instrument, whether existing predatory development? Under the existing protection and utilization mode, the non-left can be inherited reasonably and effectively?Can we use a scientific and reasonable evaluation system measure the current state of protection?So, this paper use the method of the Analytic hierarchy process and the Delphi and drow the relevant theories of ecology, economics and Sociology, In order to achieve the goal that inherit the skill of making Uyghur musical instrument Scientifically and effectively in the mode of productive protection. And this paper including Several issues about this non-left:First, intruducing The protective- situation of the "non-left" that is the Uygur musical instrument making skills by producing in Tarim ragion. Through the distribution analysis,we find that in Tarim area this “non-left” is widely distributed but not evenly-----it involve 17 counties and cities, municipal reporting points are distributed widely, but autonomous district and national reporting units mainly concentrated in the Aksu and Kashi region. In addition, through researching for the protective- situation by producing about this “non-left” in Tarim region find that:governments at all levels attach great importance to the protection, they take measures about the policy and financial investment to support the producing-protection work; the general practitioner’s gender ratio is imbalance, age is too large, culture is too low, economic efficiency is poor; although the inheritor’s technology is high, sales and economic strength is strong, but they are facing the problem of inheritance –pain.At the same time,the marketing space about this“non-left” have so many Problems: the promotional channel is single, the effect of publicity is poor,the awareness of tourists and the purchase is so low.The second, using the method of the Analytic hierarchy process and the Delphi method to structure the evaluation system of t the Intangible Cultural Heritage Protective Effect by Producing about Uighur Musical in Tarim region,The system is composed of three levels of cultural benefit, economic benefit and social benefit, 7 sub criteria and 21 index layers. And this paper described the specific meaning of each index, calculation methods and theoretical sources in detail. The highest weight in quasi level is the cultural benefit, which figures 0.6071. The maximum weight in the second level is the cultural creativity and cultural continuity, and the weight are 0.1605 and 0.1696.Finally the highest weight in indicators layer are the infrastructureconstruction and manual rate, 0.089 and 0.0773.The third one: this paper take the Jayi village in Xinhe County as the empirical research area, through the way of questionnaire survey and in-depth interviews to collect data,and take comprehensive evaluation for the Sample area with the evaluation system. After calculation, the essay evaluates the effect of the protection about the Uighur ethnic group musical instruments in Xinhe County Jayi village comprehensively, through the method of questionnaire survey and in-depth interviews. Evaluation results shows that, the total scare is 4.5668, belonging to the“poor” level, need to improve from the following aspects: the education level of employees, the construction of infrastructure and annual income on musical instruments production person.