Research On The Source Of Zheng Lvcheng’s Music Creation

From the beginning of the 20’s of the 20 th century, under the influence of the May Fourth New Culture Movement, China’s Meng issued a a group of democracy, patriotism, science, advocating for the western composing and theory and technology of Chinese music culture fusion composer, they are celadon, Xiao Youmei, Liu Tianhua, he luting, Huang Zi, etc. as the representative of the composer. By the 1930 s, invaded our territory, ethnic oppression. At this time in the field of music culture in China emerged a group of Nie Er, Xian and other revolutionary composer team, they are proletarian revolutionary music founder and pioneer. Among them, the Korean composer Zheng Lvcheng, is one of the outstanding representatives of the group of composers.Zheng Lvcheng is China imaginative composer, people’s artist, is the proletariat revolutionary music is one of the pioneers, people known as the "father of songs". He is a prolific musician, in decades of music activities, a total of Sanbailiushiyu(the Ministry) song, genre including solo, chorus, chorus, opera, children’s songs, poetry and film score etc. songs. He has always focused on the creation of the people and the life of the music works, and strive to make the work reflects the brand of the times, and the people’s heart to reach a consensus. Especially in the period of the war of resistance against Japan, only 20 years old Zheng Lvcheng, no after special composition and music theory learning, but it can create the ode to Yan’an, the Chinese people’s Liberation Army "and so on closely the pulse of the times, strikes root in the hearts of the people, encouraged by the morale of the immortal. Therefore, it is a topic worthy of further exploration that the root cause of the formation of Zheng Lvcheng’s creation is stimulated.The main content of this paper is the source of Zheng Lvcheng’s music creation as the research object, from the level of research from four aspects, Zheng Lvcheng’s music track of Zheng Lvcheng’s music creation outlook on life and music of Zheng Lvcheng historical contribution, so as to achieve the law cost as to Zheng modern music history portrayal, truly reflect Zheng Lvcheng’s background, politics, culture, art style and creative environment, contribute to the real understanding of the connotation and analysis of Zheng Lvcheng and his works, explores the source of Zheng Lvcheng’s music creation, build a theoretical bridge for further study, so as to bring us to think about the contemporary music creation.