Internal Conflict Between "Pastoral" And "Battlefield"

In rural narration over past seventeen years, it becomes the main theme of creation that praising the new personalities, new deeds and new fashion in the new era rural as well as rural cooperative movement in the positive performance in the two roads struggle. The countryside in the eyes of writers presents not only a harmonious warm, thriving pastoral, but also the battle of two roads struggle. They are usually not presented independently, they are inseparable, showing a "kink" attitude. This kink points to an inherent conflict in the writers’ creative psychology. The special environment of past seventeen years has created the writer’s political personality and literary personality. It is the game of political personality and literary personality, which derives the inner conflict of the writer’s creative psychology, and then presents the special phenomenon of rural narration over past seventeen years.This paper based on writer’s creative psychology, which aims to to analyze of rural narrative in the "Pastoral" and "battlefield" kink phenomenon over the past seventeen years by judging the value of the time tracking and integrity. The first part of the introduction outlines the formation of the field and the battlefield and the internal conflict as well as the formation of political personality and literary personality and general tendency, then explains the relationship between "Pastoral" and "battlefield" conflict, political personality and literary personality conflict. Finally, the author reviews the contradictions and conflicts the rural novels past seventeen years and the current situation of the writer’s creative psychology. At the same time, it explains the significance of this paper.The first chapter mainly discusses the evolution of the political personality of the writers in the seventeen years, and summarized the two kinds of creative psychology with specific times——fashion psychology and "a warm welcome" under "for yet rejected" complicated psychology under the era. Under the dual function of the traditional scholar spirit and the dominant ideology, writers have formed a kind of unified political personality over past seventeen years, on the whole, they enthusiastically embrace the new era, new country, new life. But because of its different understanding of the political life and the way of entry, the writers have shown that they are closely followed by or alienated from the dominant ideology. Writers such as Wang wenshi, Haoran, Lizhun, Zhou libo, Liuqing and Zhao shuli, whose cognition and writing of new rural life, and the era theme choice of "Pastoral" and "battlefield", which leads to they will have different orientation and performance on the writing.The second chapter discusses over the past seventeen years the writer’s pursuit and insist of literary personality, which mainly analyzes writers aesthetic pursuit of "pastoral" and "Battlefield" tendency and consciously adjust the "polarization" turn. "Pastoral writing" and "battlefield writing", the theme of the times has been internalized into the aesthetic pursuit of the writer. From the creative orientations——Sunli’s rural ideal, Zhao shuli’s problem consciousness, Haoran’s narrative of class struggle, it is not difficult to see that the writer’s aesthetic pursuit of the two forms of expression, one is the love of the country’s ideal life concern, one is the persistent pursuit of class struggle writing. At the same time, based on the guiding ideology of the statute, the evaluation of the guidance of the critic and writer’s self creation expectations and other aspects of factors, many writers also actively adjust their creative orientation. Such as Chen dengke, Luo binji and Shading, due to the "sin" mentality of traction and it affect their own creative pursuit. However, writers such as Haoran, Lizhun, who are motivated by a desire for artistic breakthroughs and to conform to the trend of the times. Their creation presents a "battlefield" to the "Pastoral" tilt, "battlefield" to "field" and "Pastoral" to "battlefield" across the three forms.In the third chapter, through the analysis of the dominant ideology and folk aesthetic vision of the complement, collision and resolution, it reveals those writer’s entanglement and breakthrough of political personality and literary personality, and overviews the writers in their "Pastoral", "battlefield" writing in the process of personality sublimation. Folk aesthetic vision——the official ideology of the dominant ideology, which expresses writer’s ideal rural social life of emotional experience and imagination. This kind of personal experience is often difficult to live under the special circumstances of the times, it needs to integrate on cooperative movement and class struggle in the theme. At the same time, abstract political theme, policies and regulations only through in local customs, family gossip, their love, folk modes in the writing can be successfully entered the reader’s aesthetic reception sight. But writers in the "class struggle" theme framework filled with scenery, customs, style while writing, will weak and digest the dominant ideology and norms to some degree. Writers are consistent in grasping the direction of the times, but due to their different political personalities and literary personalities, their different focus on the "Pastoral" and the "battlefield", which shows a kink attitude.In the conclusion part, the author summarizes the seventeen year rural novels’ creation psychology as well as the inner conflict between "Pastoral" and "battlefield", and points out the gains and losses under the influence of different creative psychology.