Cheers And Painful

Comprehensive anti-Japanese war period (1937-1945), as the oriental main battlefield of world's anti-fascist war, Chinese battlefield in the presence of strategic pattern of "fontal" and "behind enemy lines" two war battlefields, also called: "frontal battlefield " and "behind enemy lines battlefield". What's more, in Chinese war film about anti-Japanese war, there are also two types of war films: "behind enemy lines battlefield" war film with "frontal battlefield" war film relative to the two war battlefields after 1949."Behind enemy lines battlefield" war film have a dominant position in Chinese mainland's war film about anti-Japanese war , in such enormous and informative movies, people (mainly referring to BingMin) and war are two key themes. farmers for their respective reasons in the story narrated by the "behind enemy lines battlefield" war film that made in 17 years time, have a process of turning into BingMin, moreover, farmers will produce the prominent meaning in doctrine philosophy of personality once they have become BingMin. In the new era began, the screen image of BingMin possess varying degrees of warmth of human nature because they are influenced by Humanitarianism trend, consequently, it pose a turning track and the specific performance is the Variation of the heroic stature; In "behind enemy lines battlefield" war film, different kinds of movies have different kinds of war narrative, on one hand they have their own characteristics, on the other hand there is high consistency behind these different narrative."Frontal battlefield" war film of mainland have its special status, which drift away between the official political demands and restoring historical truth, these movies have their own characteristics on historical interpretation; With the mainland performance "frontal battlefield" of anti-Japanese war in a similar situation, the Taiwan side in the 1970s for "political propaganda" needs also made a number of the same subject matter "frontal battlefield" war film, author put the two kinds of film that displaying the Kuomintang patriotic soldier bath in blood to resisting Japanese invasion into together for comparison, and this kind of comparison will have a certain historical and practical significance under the age of background that calling for national unity."Behind enemy lines battlefield" war film & "frontal battlefield" war film in most of the time is not the same as anti-Japanese War of the two battlefield "mutual need, mutual cooperation and mutual assistance", the two types of anti-Japanese war film parallel each other in content basically, very few overlaps. Although the 2005 film "Tai Hang Shan Shang " its exhibition changed the embarrassing situation because it demonstrated both "frontal battlefield " and "behind enemy lines battlefield" ,the film fail to reflect history in an objective and impartial manner due to its ideological attributes of political propaganda. Consistent with the facts to truly embody the work of the two battlefields in the war films in the history of China's film remains blank.