The Application Of “Unity Of Voice And Mind” In The Teaching Of Chinese Vocal Music Works

When we are singing, it is the key point to handle well the relationship between singing skills and emotion expressing. In this paper, we try to use the literature analysis methods to learn and analyze from Chang Lun, YueJi and other related musical works, and to get the inspiration of how traditional music aesthetic effect on vocal music in dealing with the relationship between voice and mind. We use the practice investigation methods in teaching with those theories, and in this way we can prove the possibilities of the point. So we can achieve the “unity of voice and mind”more better.This paper includes three parts.The first part is the overview statement about the relationship of voice and mind. The author try to summarize, analyze the theories from the Chang Lun, YueJi and other musical works, which described the relationship about voice and mind. And we find out the way ancient people to handle the relationship between voice and mind is to emphasize “sound after word, emotion after sound”, “sing attractively, unit voice and mind”. Compared with western countries,the singing standers above The second part is the "feelings and a" penetrate into practice the theory of vocal music teaching. Given the limited length of the article, the article only from the Chinese ancient poetry art songs, folk songs and opera excerpts each of these three genres selected examples, from the traditional aesthetics Relations "heart and sound," the starting detailed analysis and practice. The third part is based on the author Practice Chinese traditional music aesthetics introduced Vocal Music Teaching Suggestions. Mainly from two aspects discussed establish a "foreign, past serve the present" teaching philosophy and implementation of a wide, diverse methods and reasonable evaluation of vocal music teaching system,hoping to provide a reference for the establishment of the National Vocal Music and Teaching.