The Beauty Of The Image-A Report On A Series Of Works Named “the Years”

In traditional Chinese painting, the so-called "Image of Idea", "watching for images" such an expression, influenced generations of painting who has a very long history.This watercolor art style from the West into China, has been one hundred years, during which China’s watercolor artists on the basis of traditional painting, watercolor painting of a positive performance of exploration and research techniques, which makes watercolor painting performance techniques not just confined to the realistic representation of the object, in the same spirit and aesthetic connotations also have some pursuit.The creation report to the relationship between man and nature as the starting point, the author describes the creation of watercolor landscape will ram sand felt myself rustic, friendly, natural, and so accumulate in mind the true feelings expressed, in pursuit of a picture " Image of ’presentation, in line with the author of sand rammed overall experience. With "image" approach to watercolor painting in order to have a deeper level of understanding of the objective body awareness through aesthetic and aesthetic emotion with a personal nature, and to promote the creation of a personal level.This thesis is divided into four chapters, the first chapter analyzes "image." Anatomy is "image" from the two different cultures of Chinese and foreign cultural traditions, concrete analysis, imagery, abstract of similarities and differences. The second chapter, "Images of America" implemented in watercolor creation. Mainly through Watercolor case analysis "Image Beauty" manifestations in watercolor, artistic language, creating space further elaborate the United States to pass and implement the imagery of the section it is intended by empirical analysis of their predecessors, drawing, and thus create their own some inspiration and reference direction. The third chapter describing the creative process "years" series of paintings. He told the water, try colored watercolor experiences and feelings in the process. The fourth chapter is thinking and summary. Mainly it deals with a watercolor creation after the experiences of watercolor creation of imagery Problems and Reflections.