Luoyang Of The Northen Dynasty Epitaphs Of Yuanshi Calligraphy Research

the epitaph, as a sacrifice to the ancestors of stone inscriptions, originally buried in the tomb, unearthed after rear show in the world. In the history of the Northern Wei Dynasty, China is a war era, is also a national integration period. Luoyang of the Northern Wei Dynasty epitaph calligraphy is produced in Yuanshi, two kinds of different cultures in it. It can be said that the Luoyang of the Northern Wei Dynasty Yuanshi inscription calligraphy is in Luoyang is the direct reflection of the accumulation of the Central Plains culture, is also the national integration and development of product.Northern wei luoyang yus epitaph of calligraphy art in such a historical period in history, is under the action of the era of big development to contribute to, therefore, it has the era has given its unique artistic features.And it is because of its special properties of buried in underground, so, it did not damage by later generations historical change, until the qing dynasty years, because of the persecution literary inquisition, the muzzle of thought and academic shift the direction of the wind, and textual research to the comprehensive development of epigraphy, the northern wei dynasty yus epitaph calligraphy rediscovered under such a historical background, get the educational world attention, to worship tablet and it is the wave of tablet, and appeared headed by Ruan Yuan monuments, "north- south post" argument.This paper on the structure of the paper, first of all, for the carrier of Luoyang of the Northern Wei Dynasty Yuanshi inscription calligraphy art "epitaph" of, discuss about the origin of "epitaph" and for "epitaph" Shiming, on a form of stone were comprehensive and systematic understanding.Then, the thesis emphatically discusses northern wei luoyang yus epitaph formation of calligraphy art is trying to differentiate era social ideological trend for yus the epitaph of the art of calligraphy, to analyze the direct or indirect relationship between them is, emphatically analyzes Confucianism, Buddhism and two thoughts and yus epitaph the connection between the calligraphy.Then, is the core part of the paper, the northern wei luoyang yus paper research and analyze the style of calligraphy, calligraphy from the paper the process of making such a stone engraved calligraphy to analyze its artistic features, and then discusses its artistic style evolution before and after, more typically show four kinds of artistic style, and take Ruan Yuan "monuments, north of the south, north and south" regional calligraphy theory, the northern wei luoyang yus epitaph calligraphy art to think, to explore reflected in its evolution of the regional characteristics of calligraphy art style.Finally, because of its practitioners after widely calligraphy copy, collection, research, the status and influence on Chinese calligraphy into step- research and positioning.