Analyzing The Royal Palace Drama From The Perspective Of Adorno’s Mass Culture Criticism

The TV drama is an important symbol of a country’s culture and image display. China’s domestic TV series has gone through 58 years, and the study of TV plays and also the way is long. Palace Drama rapid development, domestic TV drama opened up a new chapter, we accept, and enjoy it brings new audio-visual, should also be maintain rigorous and critical tradition.Zhen Huan biography as a benchmark for domestic Palace Drama, with features and functions of typical products of mass culture, with Adorno’s critical theory of mass culture to carry on the research, on the one hand, is to Adorno’s critical theory of mass culture in China is in the development of a new attempt; another is on the theory research of domestic TV series a rich.Intended to remind the creators of the pioneers of the cultural undertakings and television, uphold the critical perspective, the essence of adherence to art, as a domestic drama of the rapid and health development escorts the Emperor convoy.This thesis consists of five chapters, the first chapter, introduction of Adorno’s critical theory of mass culture to the present situation and methods of domestic TV research and its significance; the second chapter, on Adorno’s critical theory of mass culture and domestic palace fighting drama these two concepts are defined; the third chapter, through the characteristics embodied in the "Zhen Huan biography" in public the cultural commercialization, standardization, technology, pseudo personalized interpretation of domestic palace fighting drama critical analysis; the fourth chapter, through the mass culture consciousness embodied in the "Zhen Huan biography" in the unconscious and the two functions of the interpretation of domestic palace fighting drama critical analysis; fifth chapter, specifically the use of Adorno’s critical theory of mass culture on the domestic palace fighting drama analysis value, put forward the rationality and limitations.