| Poetry,Guan Wo Sheng Fu and Yan Shi Jia Xun are very important achievementof Yan Zhitui, which is not only the condensation of his life thinking, but also the reflection of his Regional Aesthetic Consciousness. Early, Yan Zhitui lived in the Liang Dynasty.And he was affected by the social elegant atmosphere, his poetryexudesuninhibited Charm.But this is just a stage of his poetry creation.Traditional Confucian Ideology Ideas which is deeply rooted in thought is always the criterion of Yan Zhitui’sthought and action. When he grew up, he lived in The Northern Dynasties.Reviewing his wandering life in the later years, he wanted to serve the government, to revive his possessions but have to suffered numerous hardships.Yan Zhitui travelled the north and the south,did a lot of official,whichmakes his poetry, proseand Yan Shi Jia Xunnot only reflects the differences in aesthetic consciousness between the North and the South, but also reflectsthe unique Regional Aesthetic Consciousness.This article was prepared to study the Regional Aesthetic Consciousness of Yan Zhituifrom the following five aspects.The first chapter analyzes the formation of Yan Zhitui’s Regional Aesthetic Consciousness.The specific natural geographic and social environment affecting people’s real life are the important factors to form it.The second chapter analyzes the Regional Aesthetic Consciousness in Yan Zhitui’s poetry.Yan Zhitui’s poetry is the embodiment of the change of aesthetic consciousness in the early and late period.Yan’s family do research and develop Confucianism from generation to generation. Confucianism was admired and promoted by Yan Zhitui, which makes his poems influenced by the orthodox Confucian thought,rather than the mainstream factors in Southern Dynasty, this mainstream factor may make his poems on the road of entertainment. The narrative technique and language style of Yan Zhitui’s early poems reflect the classic and gorgeous aesthetic features. Due to the influence ofthe Northern sorrowful and military poetry, Yan Zhitui’s late poems reflect heavy and retro ideology, and reflect classic and orthodox aesthetic features. Working in another dynasty makes his poetry language style morepolite.The third chapter analyzes the Regional Aesthetic Consciousness in Guan Wo Sheng Fu. In Guan Wo Sheng Fu, the recalling of the ups and downs experience of his lifetime and the feelingfor his family’s Confucian blood and the position of traditional Confucianism in this world status made him use "Si Lu" to express his national feelings. The nostalgia of Liang Dynasty kings’ great kindness and the freedom of thought environmentenabled him toexpress awareness of home and country in "Min Chu". The grief of the destruction of advanced culture and the persecution of Han made him express his indignation in "Kang Hu". These reflect the ideology of Yan Zhitui.The fourth chapter analyzes the Regional Aesthetic Consciousness in Yan Shi Jia Xun.Many chapters of Yan Shi Jia Xunrelated to the difference of nobles political, social customs and aesthetic consciousness of cultural atmosphere inthe North and South Region. Yan Zhitui contrasted the social thought and miscellaneous arts ofthe North and South,and proposed the code of conduct which makes the behavior conform to the traditional beauty of the Confucian tradition. He also put forwardthe requirements of aesthetic education which treat literature as the foundation and with miscellaneous arts as the end, it cannot have the order reversed and require a wide range of learning knowledge and skills.The Fifth chapter analyzes the similarities and differences of aesthetic consciousness in works between Yan Zhitui and the same period from south into North literati Yuxin, Wangbao.Highlighting the combination of Yan Zhitui’s practical thought and Northern Dynasties atmosphere.Yan thinks the article should be beneficial not only to the political rule, but also has the aesthetic function of physical and mental pleasure.Under the influence of Yan Zhitui’s regional aesthetic sense of character comment, stylistic value judgment not only reflects his unique aesthetic thought, but also advantageous to North South exchanges and later literature development to provide reference. |
