A Cultural Approach To The Court Fight Drama

The creation of TV plays comes from life and higher than life, it can form a specific type, which is the result of the interaction of the parties in the real society.The Court fight drama is the inevitable product of social and cultural development.TV drama art’s teasing of historical resources is the foundation of the Court fight drama.It has two basic elements- the woman and the palace fighting. On the surface, the image of women in various types of the Court fight drama is a microcosm of the harem of three thousand. in essence, it is the reflection of the Confucian traditional conscious women and women with independent consciousness. Under this kind of mapping, it shows the love dilemma of modern women in life and the moral perplexity in the pursuit of power and power. The Court fight drama used harem woman mutual framed, intrigue, cliques and Machiavellian tactics as dramatic conflict,thus the family culture of cruelty, hypocrisy and autocracy negative can be concentrated displayed. Through the experience of evil, the public has triggered the impact of theirown values, and then produced an aversion to evil, on the other hand, it is also generated the power to purify the soul of the people.Whether to see it from the content or the form of its creation, it can be like a mirror, reflecting the contemporary issues of their own. At present there are three major cultural dilemma in The Court fight drama:excessive consumption of women,the Machiavellian culture exaggerates, misrepresentation of historical facts. But even so, the Palace fighting drama is still hot on screen, and becoming popular spiritual consumer goods. In addition, it reflects that people’s aesthetic tendency is paying more and more attention to the experience of the shallow layer. People’s highly concern about the Machiavellian operation of The Court fight drama has also reflects the crisis of trust in social relations, marriage relations and family relations.As a kind of TV drama with super high ratings, its existence has certain rationality. Regardless of the female’s tragedy and Machiavellian cruelty, it has certain cultural roots, we can not deny its value for it has shown the dark side of reality. The satisfaction of the public demand and the significance of revealing the reality made it occupy a place on the stage of the TV play. For such a popular art form, what we should do is to give full play to its form advantages, to guide the public’s spiritual consumption to the good side of development instead of criticizing and suppressing it.