On The Opera "The Marriage Of Figaro" And The Countess Aria Singing Style

"The Marriage of Figaro" is one of the famous Mozart’s masterpiece, the opera is a corner where the Countess most difficult to grasp the role of the Countess of this paper as a starting point two arias detailed understanding of Mozart’s music features,singing skills, Concerts vocal learners to better provide a theoretical basis. So the singer soprano aria for further understanding in the future to better reflect singing Mozart’s opera thought to show characteristics of Mozart’s opera and music style,more successful in shaping the role of the Countess in Mozart’s operas.