Study On "Tea Gathering" By Wen Cheng-ming

Due attention to the intermingled appearance,this thesis try to solve the problem of melted subjects.Landscape paintings of Ming Dynasty brewing multiple works of classic Chinese garden, and these works describe similar contents are often plotted to different subjects because of subtle people activities.Producing the unclear theme for the classification, "tea gathering" usually mixes "traveling narration","alias","elegant meetings","farewell scene"and other topics,its independence is often blurred by scholars.In order to find the interaction between landscape painting and "tea gathering",the spatiotemporal range is defined as Ming Dynasty and Wu-Zhong area,and the art work of Wen Cheng-ming will state my opinions,combined with his special life experiences.With a view to the lifetime of Wen Cheng-ming,and also the development of "tea gathering",the chapter one will be divided into different aspects,especially,combining the rough life of Wen Cheng-ming who goes through the failure in the imperial competitive examination, proposed to the official career and to live in seclusion;besides,the pulling-out analysis of "tea gathering" from other topics because of its irreplaceable cultural annotations.Along with the logic that from outside to the inside, respectively, the chapter two dissect the work from three angles which are the creation, characteristics and implications, pointing out "tea gathering" as a kind of description or having a poem inscription were created in order to express emotions and inner monologue of artist’s normal life.Wen Cheng-ming devoted to the development of "tea gathering" with "Tao Qian Type" by the unique thinking, and made an outstanding example for heirs.No matter what the inherited variation is, the tenor consistent always.Relying on the basis of sorting literature information, and also using the Graphic and Text proof method,the article will subdivide the traditional landscape themes and provide a new observation for the study on Wen Cheng-ming.