The Morphology Analysis Of The Aria Of Errenzhuan

Errenzhuan is an influential folk art style widespreading in the northeast of China and is loved by the masses, which belongs to one Quyi form involving dancing and singing. Since recent years, research on Errenzhuan has clearly turned to its present situation, origin, intangible cultural and other aspects. So the reserach returning to the music ontology has practical significance. Errenzhuan is rich in music, especially for its unique structure form of singing and highly personalized singing melodic, both is very valuable in music.This paper starts from the perspective of music morphology(referring to a study which learn the relationship between the form and content of music, including the form, structure and logic of the concrete music works), this subject has been gradually developed into musica analysis in the middle of nineteenth Century, the scope of the study expanded to all aspects of musical language besides musical form. Since twentieth Century, music analysis has gradually tended to the style and the content,and joined the study of aesthetics. This paper use the method to analyze the music configuration of Errenzhuan arias:singing melody, rhythm, structure, jioning method and aesthetic spirit, so as to find out the unique morphological characteristics of Errenzhuan. And investigate the aria structure which consist of the inherent logical structure and external configuration analysis in accordance with the classification standard of arias in Banqiang-style, Joint music and Complex.At last the paper draws a conclusion that the aria structure of Errenzhuan is complex, which oriented by joint music, also coming with Banqiang-style.The research methods of this paper have reference value to researches who study on Errenzhuan too, and also provide some references for other folk art forms which including dancing and singing, such as Errentai, Lianhualao, Fengyang Flower Drum,Chedeng, Caicha and so on.