The Research Of Marcuse Literary Thought

Herbert Marcuse, one of the early Frankfurt school, the father of the "new left"。 He had written is rich, whose work involves culture, art, philosophy and politics, and other fields, including persistent thinking of art is present throughout the Marcuse thought development, Marcuse at the age of, art and aesthetics comprises all the Marcuse thought. Marcuse’s artistic thought is based on, the relationship between art and reality and negative dialectics philosophy as its philosophical foundation, a critique of technology of the developed industrial society and constitutes the realistic foundation of Marcuse art thought. At the same time, Marcuse actively learn from and Heidegger’s existentialism theory, Marxist aesthetics, Freud’s psychoanalytic theory and represented by Kant’s concept of German classical aesthetics to literary theory construction. Art, as the form of reality, Marcuse is about the relationship between art and reality. As a practical form of art does not mean that the real life of beautification, nor does it imply that the fine goods packaging, it is a representative of experience with the real world completely thin across the world, the political potential of art is the art and practical experience in the world of conflict. Although Marcuse literary thought has a rich theoretical connotation, but it is still a past history context theory, too much emphasis on the instinct of a man and sensibility and ignore the social and practical, this is Marcuse limitations of literary thought. Today, the spread of the postmodern theory, deal with Marcuse literary thought and contemporary literary theories, the relationship between the inheritance of history theory and cutting is very necessary.In this paper, including the preface and epilogue, a total of five parts:The introduction part of Marcuse art thought to do a simple summary, and carding the research status of Marcuse art thought.The first chapter inspects Marcuse the historical context of the formation of the literary thought and theoretical background. The developed industrial society, politics and culture in the areas of the integration trend of increasing, using technology to modern rule subtly changing the instinct demand, a new operating principle of the people into a single dimension. The neutrality of science and technology in the developed industrial society into technology is rational, as the ruling class ideology, are tools. In the theoretical background from Heidegger to Marx and Freud, Marcuse concerns focus remains on the people the reality of the situation, the focus of people’s survival, is one of the characteristics of Marcuse literary thoughts.The second chapter first examines the significance of art reality, points out that art, as the form of reality is not to beautify the real world, but the means to build a completely different world with the real world. Second, the important concepts of Marcuse literary thought "aesthetic form" carried on the thorough analysis, set the theory of "aesthetic form" status, determines the theoretical connotation of "aesthetic form". Third, in order to "aesthetic form" as the breakthrough point, analysis illustrate points out that the art of reality, and transcend reality.The third chapter to for the entrance, the relationship between art and revolution analysis shows that the potential of art in the real political and revolutionary function is to awaken the repressed instinct, to establish a "history" at the second level, is the aesthetic utopia.Conclusion part to summarize the full text, points out that Marcuse’s literary thought limitations and points out the general direction of the Marcuse research in the future.