| In1964,"One-Dimensional Man" was published, in this book, Marcuse first in-depth analysis of a series of "one-dimensional" hidden behind the false prosperity of the developed industrial society, its position in the philosophy of humanismon, from the Frankfurt School has long been a tool of rational criticism to start, extend and expand the ideas of Marx on alienated labor analysis, exposes, criticizes the overall reality of alienation of capitalist society, observed a comprehensive understanding of modern industrial society established a new theoretical dimension. At the same time, the theory of "One-Dimensional Man" dimensions: the Marcuse aesthetics is the integral part of its critical theory of society as a whole system of thought. In his view, the aesthetic is always linked with liberation. Art is not only to show imagination and ideals for the future, but towards resistance and subversion of the order of reality through art, aesthetic activities. In this paper, the text of the "One-Dimensional Man" as the focus, in conjunction with other related texts, on the basis of the many studies of learning predecessors, try combing and preliminary study of an academic Marcuse’s critical theory of society and its aesthetic ideology and explore its aesthetic utopian theory of value. This paper attempts to clarify the reason why the rich romantic utopia:Marcuse’s aesthetic thought, is its deep social roots and theoretical roots, both traditional ideological resources absorbed Western aesthetics, with German philosophy, aesthetics romantic temperament associated Marcuse rescue theory based on absorption predecessors thought-aesthetic Utopia "utopian inherent illusion, but its strong sense of reality directional and deeply critical, still give us lessons. |
