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From The Perspective Of North Quyi One String Division Stringed Lute Accompaniment Art Under The Tutelage Of Ma Xiaoxiang Sanxian Music Recognition

Posted on:2017-05-02Degree:MasterType:Thesis
Country:ChinaCandidate:C ChenFull Text:PDF
GTID:2295330485968135Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
North quyi Sanxian is the main accompaniment in North quyi sort of Quyi and folk music research and performance of an important part. The view of the author in the study of students during the period of studying under the tutelage of Beijing opera group string division Ma Xiaoxiang learning Sanxian acrobatics accompaniment, with very delicate, deep performance practice based, combined with music studies, real in touch to folk music ontology, and realize that folk stringed accompaniment art contains the Chinese traditional music culture and music colleges and universities commonly used western classical music system differences. To recognize the study of Chinese traditional music culture must be truly deep inside, in accordance with its own artistic law to explore in order to touch the essence of art.The writing framework of this paper is introduction, four chapters and conclusion:Introduction: record the in Beijing Opera box office field investigation, from the appreciation of the North quyi sort of Quyi performances, feel quyi humanistic care to gradual attention acrobatics accompaniment, attention acrobatics accompaniment strings division Ma Xiaoxiang journey combing the literature acrobatics accompaniment literature contribution and lack of established in practice and performance of music from the perspective of the combination of the idea.Chapter three generations of Quyi family family background: combing the Ma Xiaoxiang from deep house grandfather Ma Liandeng traditional, three generations,large family of a dozen folk masters folk to the Ma Xiaoxiang plenty of innate artistic nourishment, childhood osmosis north of every sort of Quyi, for him to create a very good atmosphere of art.Scholarship and practice of the second chapter Ma Xiaoxiang: the author from two years of learning record reviews the experience Ma Xiaoxiang quyi Sanxian accompaniment and playing Sanxian music school, and Ma Xiaoxiang in music creation attempt. From the "human" perspective to see the growth path of a string.Chapter three quyi Sanxian accompaniment of learning record: the author from dozens of Sanxian class teaching and practice, to tease out the cognitive learning folk stringed accompaniment of basic learning methods and basic music. The former finishing the basic exercises on the folk art of Sanxian and training method of curved Daigong; the latter is representative of yeast small Chaqu, Chaqu, danxianr study record of North, the dissertation combs the accompaniment of drum fills, licks, with cavity accompaniment, digital words and part of single string Paizi Qu Qupai accompaniment basic technique, changing technique. Summarize the basic rules of accompaniment in deep touch quyi music, understand traditional music cognition.The fourth chapter learning Sanxian acrobatics accompaniment by music thoughts:discusses the two-year learning folk stringed accompaniment of recognition. To recognize music Sanxian and Folk Sanxian due to changes in the music system,resulting in shape of musical instruments, playing the huge difference in technique,music cognition; summarizes the acrobatics accompaniment strings division in accompaniment should have the basic literacy; the author of "traditional" oral teaching and college teaching methods were comparative study, learn to recognize the traditional Conservatory of music teaching method in the foundation stage for students to have a great help, but in the music of the late cognitive should better adhere to traditional oral teaching methods, to ensure an accurate grasp of music ontology.The conclusion, the author of the text are summarized, the string division status in today’s society Houjifaren, and once again raised the traditional folk music inheritance and research should be placed on the Chinese traditional musical context.And pointed out that China’s "non matter cultural heritage" mentioned "living state tradition" concept is currently the quyi music the best, the most appropriate heritage and record the way and simple notation, record and sort not fresh and real reaction picture of Chinese folk music.
Keywords/Search Tags:singing, accompaniment, Sanxian, Ma Xiaoxiang, traditional music, oral teaching that inspires true understanding within
PDF Full Text Request
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