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An Analysis Of The Type Element In Park Chan-wook’s "the Trilogy Of Violence"

Posted on:2017-04-21Degree:MasterType:Thesis
Country:ChinaCandidate:M X NieFull Text:PDF
GTID:2295330485969174Subject:Drama and film and television
Abstract/Summary:PDF Full Text Request
Park chan-wook in shooting violence films have a rare talent, and his talent is in every film he practice gradually, especially his "the trilogy of violence", of the three films, both in the film theme selection, characterization and in the depth of mining subject, film lens language use, and the choice of the tone, all saw park chan-wook every progress. Park chan-wook progress is reflected in his desire for violence in the film presentation of improvement:for violent desire naked show films, presented to the audience the besides scene images shock, it is difficult to have a deeper level of thinking. Park chan-wook’s first film in his trilogy " Sympathy for Mr. Vengeance" showed the tendency of it, under the support of thinking presented to the audience is outright violence scenes, except a shock to the violence and which runs through the emotional thinking, also hard to give the audience more space to reflect. But with park chan-wook for violent films gradually in-depth understanding of the trilogy of the third film in the film of Sympathy for Lady Vengeance, park chan-wook uses the type elements to express desire of violence, let the audience feel the park chan-wook the sublimation of understanding violent films, is no longer just limited to the individual for the choice of life and death and enmity between, to use violent means to appeal, but more show the thinking behind the violence, and after thinking about the choice of violence, is a kind of implicit expression of desire. At the same time also promoted the cultural value of the film, the more intriguing.
Keywords/Search Tags:Park chan-wook, violence films, desire, type element
PDF Full Text Request
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