The Narrative Choice Of Black Sadness: A Study Of Park Chan - Yu 's Writing Style

Park Chan-wook of South Korea into the international film market has a great role in its native South Korea is also a very influential director, on his award-winning International Film Festival, South Korean film history is still the only one to get the largest international film festival awards director "Jury Award".Park Chan-wook film often with a sense of aggression and aggressive, full of visual violence and pornography, breaking the traditional Korean film sentimental image. Therefore, in Korea, he was known as the "big black witches", Park Chan-wook its unique black perspective and a unique sense of tragic narrative Korean film has opened up a quality way. Park Chan-wook’s "JSA", "Vengeance Trilogy" and other films in Korea and even in the international arena, "both critical and commercial success", touted by many filmmakers, which with its successful handling of the narrative are inseparable. In this paper, Park Chan-wook’s multi-length films as samples, Park Chan-wook film team to the writing style of the study from the perspective of a black film, tragic sense of narrative and narrative style, aesthetics four levels.Text is divided into five parts:The first part reviews the road director Park Chan-wook and outlined its introduction of films; the second part focuses on the perspective of black Pu-style movies, namely:bloody revenge, dark human nature, not abnormal love; the third part discusses the two levels of consciousness style pathos Park movie:people are bearers of tragedy, society is the root of the tragedy; the fourth part analyzes the film’s narrative style Park formula: nonlinear narrative, surreal and metaphorical place of the narrative; the fifth part studies the aesthetics of violence Park formula movie, long shot aesthetics and black humor in the three Narrative Aesthetics.