The Analysis Of The Film Image Narrative Of The Present Chinese Cross-Border Director

In recent years, the film an crossover agitation, the crossover director at the box office of the proud achievements. At that time, from actors to the author, almost all walks of life all want to be involved in the film industry. Crossover director to join us for the Chinese film market has injected fresh blood, expanded the type film performance. Based on the original mode of thinking and in the field of contemporary social and cultural background and other factors, the influence of the new generation of cross-border director with the traditional academic director’s work on the expression of image narrative style there exists a big difference. In this paper, namely to cross-border director film image narrative as the research object, trying to image narrative theory and cross-border director image combined with the practice of the narrative text better grasp the law of development of movie art. This paper mainly divided into. Parts, the first chapter of crossover concept defining, director and the categorization of this paper expounds the crossover of the director and the time for the defined, meanwhile lists since 2010 the crossover of the director’s work, through the intuitive image soared trend of cross-border director in the past two years. Narrative is presented, and the second chapter of image and through from the perspective of media,the image, stage, text the comparison of the three different media narrative types,highlighting the characteristics of image narrative. The third chapter, the fourth chapter and the fifth chapter is the focus of this article discusses the part, respectively from the image narrative \"three aspects, such as space, time, and, combined with the concrete text, image narrative characteristics of the transboundary director has carried on the detailed analysis. The sixth chapter analyzes the crossover of the movie the causes of image narrative style, respectively from two aspects of internal cause and external cause to this paper. Articles of the last chapter, discusses the image narrative style of cross-border director for the present construction of Chinese film aesthetics.Above constitute the basic framework of this article, this article attempts from the multiple perspectives, in many aspects, through the combination of theory and text to the comprehensive research of transboundary director narrative feature of image, the image of the present narrative research, and has important significance for the development of China’s film market.