Study On The Vocal Works Of Chinese National Opera

The development of Chinese National Opera started from the earliest imitation of Western classical operas. Accompanied by arduous efforts of a large number of opera creators, opera with distinct Chinese characteristics gradually emerged from a dim understanding. By analyzing the background of the birth and development of the national opera and studying the vocal opera works, relevant images and theoretical literature, the author studies the three representative works of Chinese national opera of "White-Haired Girl", "Sister Jiang" and "The Savage Land" in terms of musical noumenon, singing characteristics and the like and tries to analyze and demonstrate the characteristics of national opera in music, singing and other aspects created in different historical periods.The author in this article analyzes and studies Chinese National Opera from the following parts. The first chapter is an introduction, mainly to clarify the background of the subject, research status, purpose, significance and methods of the research. The second chapter is a brief description of the development of Chinese National Opera, especially the forms and characteristics of National Opera in different historical periods from it entering China to after the reform and opening up. The third chapter is the specific and detailed analysis of national opera represented by "White-Haired Girl, " "Sister Jiang", and "The Savage Land" in different times in terms of musical noumenon, singing skills, etc. In the fourth chapter, the author prospects the future development of the national opera from the creation, singing and other aspects. Chapter is the conclusion of the analysis and research in this paper.