Brief Analysis And Discussion About The Topic On The Similarlity And Difference Between Wild Grass And The Dream Of Red Mansion Symbolizes

Lu Xun and Cao Xueqin is China Cultural river two side by side Mo unt Everest, although the two separated by a century, ideological and artistic but echoed the formation of multiple coincidence dialogue. Based on this background, this paper were to sort out, "Weeds" and "D ream of Red Mansions" symbolic imagery based on the comparison of the similarities and differences, explore inherited association. This ar ticle is divided into three chapters, mainly from the three dimension s of the two works explore the theme of symbolism.The first part discuss the tragic images. "Weeds" and "Dream of R ed Mansions" by "blood and tears" This imagery to convey the concern of the era of social survival and fate. "Dream of Red Mansions" Cao X ueqin think Zhiyanzhai batch who is crying into the book, the book ca n answer whoever has the bitterness of tears, Lu Xun from the words w ritten in ink Huang Yue written in blood as good as real. Two of his works are based on "blood and tears" as the theme image. The first ch apter are described three topics:Fighting discuss bird-the owl and the cuckoo; vegetation blood-Herbarium and Excerpt; tears of blood as ink-every word seems all the blood. In summary concludes:Annat to grass weeds and grass are the same blood and tears. "Blood and tea rs" to show the plight of the people living there are people on the v alue and meaning of Lu Xun’s thinking exists, there is a high degree of Lu Xun and Cao Xueqin awareness compassion and humanitarian feel in gs.The second parts discuss the dream imagery. By examining the two writers of the family background and life circumstances, they demonst rate Dreams have similar motives. "Weeds" to "autumn" The Dream comma nding seven small dream, "Dream of Red Mansions" Chen Shi Yin to comm and a lot of small dreams big dreams. Although both Dreams tactics va ry, but the common denominator is:write the dream is not a dream, bu t a reality. Whereby the two discussed the motivation to write the dr earn interlinked nature, inheritance and comparability.The third chapter discuss the shadow image. Cao Xueqin wrote "Han tang crossing crane Shadow", Lu Xun wrote "Do not fall over Grottoes Han Tang." Cao Xueqin wrote shadow chrysanthemum, Lu Xun wrote the sh adow of jujube, if the "weeds" implies the "Dream of Red Mansions" in the philosophy of shadow images, and that the "Lotus Movies broken o ar go blue" is better able to explain "false also the true false,"th e concept of nihilism, Psychical image with beautiful Qi Yan evident. Hesitation two writers by writing "shadow" spontaneously showing lif e between advance and retreat, reflecting their common life orientati on.About envisaged above, this article by Jung’s collective unconsci ous, inner world of Foucault’s analysis, as well as readers aesthetic s, demonstrates "Weeds" The reason may be "Dream of Red Mansions" com parative study, because when the time as text, merely symbolic trees in the forest, and when it left the author, have unlimited space for interpretation, and the world is behind its images can be infinitely close, and never exhaustive.