Discussion On The Modern Aesthetic Consciousness Of Freehand Brushwork In Traditional Chinese Painting

Painting as a pure manifestation of Western painting language, through long-term development in China, and the friction and the influence with Chinese traditional artistic spirit, is changing gradually. As for Chinese painting, whether it is in the creative concepts and performance techniques all have subtle change with Western paintings.The term "Impressionism" is under the category of traditional Chinese aesthetics. And the Spirit is the author of subjective feelings and the perfect blend of objective things, but also a high degree of artists and works of art combine unity. Chinese Painting is not just a simple form of painting, from a certain point of view, is impressionistic oil painting freehand spirit soul, the artist used to express an aid to their own emotional expression, according to the spirit of freehand drawing types of changes. After several generations of painting artists continue to explore their theory plus combined with creative practice, we have made quite a significant research results. Today, oil painting artist painting Freehand exploration and practice never stopped. The research of most domestic scholars about impressionistic painting more tend to the history of exploration and aesthetic aspects of theoretical studies tend. In this thesis, the relevant reference and research results are summarized, and try to work on specific impressionistic painting of analysis and interpretation of the language of painting and freehand spirit, trying to make a deeper analysis about the modern aesthetic consciousness of Chinese painting,This paper mainly discusses the modern aesthetic consciousness of freehand brushwork in traditional Chinese oil painting from four aspects.The first is the concept of impressionistic painting of a complete systematic exposition of traditional Chinese freehand spirit of analysis, and then expand into the development process of Chinese Painting, and the current development of Chinese Painting made a brief analysis; second is from the write, Italy, color three aspects analyzes the Chinese painting of modern Aesthetic language performance characteristics; once more combining parts of freehand painting art works and then specific analysis the modern cultural awareness of the concept of Chinese painting, the performance of formal beauty and style conscious awareness of the United States; Finally, from modern painting art cultural diversity and the promotion of Chinese oil paintings base mat aesthetic standards of criticism, from the above spiritual outlook to look forward the development prospects of Chinese painting.With the development of society, the arts gradually diversified development. A wide variety of types of art make a person dazzling. People freehand positioning of the spiritual awareness and freehand techniques blurred, combined with the negative affect of chasing benefit in the market, Which brought out the development of Chinese Painting overshadowed. In this paper, analyzing the modern aesthetic consciousness Chinese Painting from an objective point of view combined with subjective opinion and trying from the perspective of traditional Chinese aesthetics to insight into impressionistic painting.