Spirit Of The Canvas Of Impressionistic Art

Art is a product of culture, affected by the impact of different cultures, Chinese and Western painting as a natural expression of different connotations. Chinese freehand painting trends, has its roots deep thought; trend performance of Western painting, seen in the modern Western art history, both arising from different cultural backgrounds, but they all share a common set of characteristics: the nature of the spirit of the painting -- freehand spirit. In this paper, the core is the spirit of both freehand comparison. This article discusses the emergence of Western expressionism, non-rational philosophy and background, the four major period of development and performance summed up the spirit of painting; and freehand brushwork of traditional Chinese philosophy, freehand drawing and the formation and development of the spirit of the understanding of impressionism, as compared with Chinese and Western painting freehand the spirit of the similarities and differences: Chinese painting in the treatment of the natural attitude advocate "harmony between man and nature" and the West in its "Phase Heaven" consider the philosophy, the people have had with nature is an unequal relationship; traditional Chinese painting at spatial structure on the pursuit of "far three" laws of metaphysics in order to reflect a "super world绝俗" realm, and the Western expressionism shows a "flat" of the characteristics; Chinese freehand painting the main modeling tools are "lines" and "line" itself is an independent aesthetic value. Western painting is based on the performance of the "noodle" and "body" as the main performance of the compression means; Western expressionism to the scientific basis of color psychology, reflected in a "scientific concept of color" and Chinese freehand painting color more inclined to "philosophical concept of color." Followed by the same: 1: abstract common characteristics. 2: the common pursuit of vitality. Mainly embodied in the Chinese and Western painting the most ideal for the most essential requirement is the same in the spirit of western painting impressionistic nature - the embodiment of creative vitality. The fourth part of the article, a brief overview of Chinese freehand painting of the face..This article hopes of Chinese and Western painting impressionistic comparison of the spirit, through the painting language and the spirit of traditional Chinese culture with Chinese contemporary oil painting freehand the development of the theory of reference, as well as the author in the future study of the arts specified in the direction of the road.