Research On The Re Differentiation Of Wenshan Zhuang Upper Tone

Combining my investigation Wenshan Zhuang acoustic material, the use of experimental phonetics method, Wenshan Zhuang four dialects female vocal tone class of quadratic differentiated types of micro case study and analyzes from the perspective consonant initials its sound change the characters of the sound change conditions, revealed the reason for sound change. Research on the Re differentiation of Wenshan Zhuang Upper tone is quite necessary.The current research is still very weak, so it has big space and great value. Analysis articles from various parts of the following seven.The first part is an introduction, explained the study article, topics and reason corpus source.The second part of the description of Wenshan Zhuang language, Wenma dialect, Qiubei dialect, De Jing dialect and Guibian dialect.To describe four dialect phonetic system and find their voice characteristics.The third section examines Wenma dialect Re differentiation, we found that the dialect ph, th, kh aspirated by the first syllable consonant tone becomes a second tone, and analyze the substance and tone of voice varying reasons, come to cause sound changes that the first syllable sounding tune aspirated consonants and glottal pressure state changed by the aspirated ph, th, kh initials gasification p?, t?, k? initials, and then gradually and 2 tone confluence.Part four explores female Qiubei dialect differentiation of the secondary transfer class overview tone pattern, we found that the dialect ?, ?b, ?d the glottal stop consonant sound by the third syllable tone becomes 4th tone, and discuss its substance and tone of voice varying reasons, come to the reason that the sound becomes the third tune glottal stop consonants, sound pattern and airflow mechanism syllable changed, from typical implosive consonant implosive consonant weakening of stiff / creaky voice occurs mechanism and the fourth tone so close that it had merged tone categories.Section five discusses Dejing Upper tone dialect Re differentiation overview tone pattern, found that the dialect ?, ?b, ?d and ph, th, kh consonant consonant syllables from the first tune into a second tone, the first 5 tone tune into 6, 7, 8 long tune into the first tune, reveal the essence of their voice, found sound changes because consonant vocal type and airflow produced a change in the mechanism, resulting in consonant weakening that glottal stop sound ?, ?b, ?d syllable from the typical implosive consonant weakening implosive consonant is rigid / Creaky voice of aspirated consonants ph, th, kh gasification, into p?, t?, k?, and then with the corresponding positive tone categories confluence.Part six analyzes Guibian dialect Re differentiation overview tone pattern, found that the dialect ?, ?b, ?d the glottal stop consonant sound from the first syllable becomes 2nd tone or sixth tone adjustment, seven short tone becomes Article eight short tone and clarify its substance and tone of voice becomes the reason and found glottal stop consonants ?, ?b, ?d weakening implosive consonant is stiff / creaky voice, and then with the corresponding positive tone category confluence.The last part is the conclusion, make a summary of the evolution of tone class of Wenshan Zhuang upper tone. Wenshan Zhuang found a type of secondary transfer class differentiation. Summed up the reason for sound change is due consonant consonants and glottal sound state pressure changes, and affect the realization of the goal of the entire syllable tone, so ?, ?b, ?d original typical implosive consonant weakening of stiff / creaky implosive consonant; ph, th, kh, etc. from strong aspirated consonants into gas sound mother p?, t?, k?, thus resulting tone generating faction tone, with the corresponding positive tone class consonants of a similar nature, and then close the male tone class and merging.Analyzes the Consonant common, phonology goal is to tone the female category by the [+high] positive tone to the corresponding class [+low] to move closer, to discuss the evolution of the direction of the falsetto.