Study Of Contemporary Image Oil Painting Art In Guangxi

The form of Chinese contemporary oil painting can be divided into two kinds, one kind tends to the traditional form, the other is the contemporary art form, the former is the narrative based realistic oil painting, the latter is the form of language, or the expression of a concept. The contemporary image oil painting is in the middle of the two, which is a kind of unique form, the different creative language, and its inner cultural meaning. Therefore, it is of great practical significance and practical value to conduct a comprehensive and in-depth study of the subject.This paper analyzes a number of Guangxi painting image painting on behalf of painter, they are of imagery oil painting history of Guangxi Pathfinder, some of the sources from perception of their own life experience, they stick with their idyllic ideal, the nature of Vientiane into their experience into the creation of, this is Dongfeng Zhang, Yigang Chen, and so on. Some focus on seeking root edge of Chinese native culture, the Chinese culture of Taoism, Zen universe view as their nutrition for creation and in the work highlights the Chinese literati feelings, is the legitimate heirs of Chinese culture, invisible assume the historical responsibility to protect the traditional culture, and the representative painters with Nanyi Liu, Qing Huang and so on. And the modern evolution of the urban form, the creation of the visual symbols to create a personality, embodies a spirit of rebellion. To give people a deep thinking through the different perspectives of the viewing. This is undoubtedly another inheritance of tradition. They are representative of the Guangxi contemporary image oil painting house, they are not only the realistic criticism of the concrete image, but also the subjective expression of the abstract image. They have practiced the creative development of Guangxi oil painting, and realized the turning point of the modern image of Guangxi oil painting, whether it can adapt to the changes of the global language, and whether it can become a sustainable way to build up a modern Guangxi image oil painting system.This paper discusses the concept of contemporary Chinese image oil painting in different context of Guangxi, in order to analyze the development status of Guangxicontemporary oil painting as the breakthrough point, through the research and definition of the related concepts of image oil painting, analyze the development history and current situation of Guangxi oil painting, and analyze the artistic features of some representative painters in Guangxi. This paper mainly uses literature data, field survey, interview, comparative study, comprehensive exploration and induction.