Preliminary Analysis On The Sound Balance Of Tchaikovsky’s 5th Symphony

Peter Ilyich Tchaikovsky was a great Russian composer and music educator in 19th Century. He was one of the most important composers of the romantic period. His Fifth Symphony in E minor (Op.64) is one of the most famous works of his symphonies. Symphony Orchestra, however, as a complex organism, consisting of musicians and musical instrument, the constitution of every technology itself is constantly doubled in compliance with the principles of the paradigm shift. As orchestra conductors, rational allocation of existing technical conditions of all kinds of musical instruments, effectively guiding musicians correct interpretation of music, shall familiar which he composer wrote in the score of the instructions with in their heart, at the same time, shall according to existing technology environment to be flexible, can be more close to the composer’s original intention. In this article, in expounding the premise of the composer’s personal and composing background, and Kuhn’s theory and the paradigm shift in, focused on that under the current background, how to balance symphony orchestras better in playing various musical instruments the intensity ratio, and more apt to restore work appearance.