Charging Out The Stanislavsky System Of Acting

Huang Zuolin, who is the famous director of Shanghai people’s Art Theatre,and Jiao Juyin, the director of Beijing people’s Art Theatre are two important masters in the drama history of China. Mr. Huang Zuolin loves drama, his plays, movies have achieved fruitful results. As a director, he contributes the energy of all life for the theater and the stage. not only guide a hundred excellent drama department works, but also make a contribution to the Modern drama though his theoretical perspective and practical experience. He proposed the drama wiew of expressive plays, which is a Prospective theory.1962, Huang Zuolin came up with " Freehand Drama " firstly on the conference which discussed drama, opera, children’s drama creation in Guangzhou. After that it becomes a drama concepts which can not be ignored when research nationalization of modern drama. In the 1960 s and 1980 s, and twice caused extensive concentrated academic contention. several famous drama director, actor, playwright and drama theorist, drama enthusiasts put forward their own ideas about this theory.They are supporters, opponents or neutral.Unfortunately, the research about Huang Zuolin’s drama practice, drama theory is limited. The research vision is relatively narrow, There are still much misunderstanding,misinterpretation, misjudgment about "Freehand Drama".mechanisms from Table director,creative writing for stage show script, freehand presentation skills and other aspects still need more in-depth research and analysis. So I went to the Shanghai Dramatic Arts Center,Shanghai Library where I found a large number of historical data. I also interviewed Huang Zuolin’s relatives, friends and colleagues, they gave me Some valuable information.Based on the above materials, I use a new perspective research the Contribution of Mr.Huang, Especially in the course of development of the Shanghai Dramatic to found his influence, showing Mr. Huang’s contemporary for Contemporary drama...