Research On Art Direction Of Michel Ocelot Animated Film

In the past for a long time, compared to the United States and Japan both animation powerhouse, neglected French mainstream movie world seems ambiguous. However, the reason why the animation as a separate art, France has contributed to the contribution here is not only the birthplace of the comic, also prepared a prerequisite for the birth of film, animation and other art. 1980 s, France began to bail out the animation, the sudden emergence of the 1990 s, in the 21 st century, local animation boutique spurt surge highly recognized at home and abroad, exudes vitality. Due to always adhere to the supremacy of the artistic creation concept, focusing on the individual to freedom of expression, many works are "Writer Film", and therefore did not embark on the road of industrialization, such as Hollywood movie mode can not be mass-produced, and many more rely on government support, many aggregation and external cooperation small studios to support its industrial development. A limited number of French animated film both fine fine, unique and innovative, impressive, showing a personalized "quality awareness" national character. In recent years, France among the world’s leading animation art, animation world provided a new direction of development.Director Michel Ocelot, leader of the French animation industry. In the era of globalization, which works internationally unique and has broad influence, not only embodies the French movie from beginning to end "vulgarity" and actively absorb the advantages of foreign culture, showing a distinct cultural features and artistic style Wait. Michel Ocelot unique creative way to tell their stories. His success proves not copy Hollywood model or technology, indigenous art can also produce feature films with commercial value, and an inspiration for more animators.