The Artstic Research On Chinese Paper-Cut Animation

In this paper, as the starting point to promote and develop our national art and non heritage culture, standing on a macro and long-term culture vision and perspective, aiming to combine the national art theme and paper-cut animation that make them vivid and lively in traditional art design, making the paper-cut animation which is rich in Chinese region, at the same time by using of intangible cultural fertile soil to nourish the development of the art of paper-cut animation, providing a solid culture foundation for the Chinese paper-cut animation. It is not only a specific direction of the innovation and development of Chinese paper-cut animation, it also helps to give paper-cut the characteristic of the era by paper-cut animation which is lively digital media, making national arts and national intangible cultural heritage get effective inheritance and promotion. This paper begins with theory research:sorting and system classifying the modern national art and paper-cut animation research theory, analyzing the development trend, genre branch, artistic style and their representative, studying of the influence of Chinese traditional folk art thoughts, folk art on Chinese animation production. Secondly, on the basis of the existing relevant theory, it makes a detailed discussion on the integration development of national art and paper-cut animation.Thirdly, in this paper, further discussing on the intersection of two lines which are national art and paper-cut animation, making the art of movies, arts and crafts, arts and many other disciplines in parallel, helping interdisciplinary development forward in the blend mutually, serving for the development of paper-cut animation art. In this paper, by the use of the method of image analysis and combination of theoretical research, confirming the image and literature data, and through a comprehensive analysis of the paper cutting and animation, deeply analysis of paper-cut animation form and style, the cultural connotation of paper-cut animation, trying to make the image analysis and theoretical demonstration get unified,in order that the theoretical and empirical research complement each other.